Dog quilt continued: the Portraits

This is the next instalment of the dog quilt. I decided to stitch proper portraits, close up and personal of 3 dogs belonging to the designer who had originally commissioned the quilt. These dog embroideries were obviously really important to the success of the whole project, so I gave them the centre stage in the compositition. Luckily I was provided with several images of each chosen dog.

For the first one that I stitched (as the trial sample), the photograph was so clear that I could start to draw directly onto the linen fabric using water soluble pen (one that does not disappear after a few hours – these small fine embroideries can take days, even weeks to complete).

Using Derwent Inktense pencils I applied the basic colours of the coat, wet it to blend and intensify the colours then pressed it to fix the dyes. I continued to draw with the water soluble pen to give me the stitch directions for the coat.

When I started the quilt I was sent images of a very young and nervous looking puppy, so decided to wait a while to see how it looked when it had gained its character. Above is my sketch book page with several drawings based on a number of images of a wiser but amusing dog…I used woollen felt and threads to stitch the rich curly coat.

Meanwhile I was working on the remaining dogs that now had to fit into the whole quilt design. One of the first dogs I had chosen to use was Maisie, I had taken many pictures of her over several years as she was one of the elegant greyhounds/lurchers that are regularly rescued by my family. These long legged hounds are the most wonderful dogs to draw, it was hard to choose which position to use.

And there were a few others to make a late appearance; deciding I wanted some extra humour I chose to embroider my toy felt dog that had its back leg chewed off by my first dog, the Fox Terrier Archie. I also included one of my pet hates for dogs, those all-in-one coats with 4 leggings…..so shaming. I chose Kevin, a friends’ Beagle – sorry Kevin but you do have a good range of expressions.

And the last portrait is the German Shepard – I was sent an image of an utterly beautiful dog with a yearning expression – probably wanting a biscuit! I decided to make this the centre piece as it was such a dramatic full-on face. I again worked directly from the photograph( which is rare for me) onto a very rich blue shot-cotton, using my favourite Inktense pigment crayons to draw and dye the cloth prior to stitching.

So slowly, and then very quickly with a deadline looming, the quilt finally started to come together and shown below on my studio table is the final arrangement complete with machine stitched sashing. Eventually I took it to expert quilter, Julie Harvey, who measured, layered and trimmed it, and together we both hand quilted it.

Eventually I posted it to be framed, in some style, by Marcus Wells who had commissioned me to make the work: and here is the finished piece.

And the best outcome of all – I have received commissions for 3 more single dog portraits; what a joyful set of work to start the new year.

Lockdown Patchwork Project

Determined to make the most of the new year 2021 winter lockdown in the UK, I decided to cover my damp (although supposedly cured) and now ruined sitting room walls…….with patchwork!

And with real fabric. the left-overs from my work organising quilt making in the UK for Kaffe Fassett‘s books of patchwork and quilting designs. Below are 2 of my favourite quilts from previous books that I have worked on and which I referenced for both colour and patten.

Patchwork is part of my professional textile practice and I have always used it for all types of furnishings, from wall papers for Heart Space Studios to my old but still glamorous dining room curtains.

Now I chose fabrics that reflected the colours in the rest of the house: basically turquoisey blues, buttery yellows, mauves and greens – I like colours to blend through the rooms. I had painted the hot pink walls for a New Year’s Day party 2 years ago….as you do!

I really loved the first fat version on my studio quilt wall above, but seeing it in situ was another thing. I wanted to cover the whole room and suddenly I felt totally overwhelmed by colour and pattern – the photoshopped version confirmed my misgivings…..it just hit me in the face and made me feel hot and sticky!!!!!

photoshopped version of sitting room walls!!!!!

The larger size of the fabric pieces, 21inches in length, made the patterns fight one another; in the smaller pieces used for quilts the patterns meld together as the eye sees so many at once AND there is only 1 quilt per room. Here there will be at least 6 large quilt sized pieces from floor to ceiling on all walls. Back to the studio.

And back to the oldest and simplest way of softening and unifying coloured fabrics – dip them in brewed tea. Above see the different shades to be had using: top = 1 bag, middle = 2 bags, lower = 2 bags boiled. It is a shame to kill the brilliant singing colours of the Kaffe Fassett Collective’s fabrics but hey ho! These wall coverings will take months to make and mount on the walls and then we have to live with them for ever…….I am not doing this again!

Back in my studio sorting out newer softer colours. Meanwhile the Kaffe Fassett Studios had kindly sent me lots more fabric strips based on my original sample….dipping a few of them in week tea I placed them on top of the quilt wall – wow this looks like a mad Japanese kimono design! Should I introduce stripes?

I am now 3 weeks into this sampling phase, I am still uncertain about the design on the wall. My Christmas star light reigns over chaos.

Time to get a grip! sort out the separately coloured triangles and tidy up

I set them all out on the table ready to start work – tomorrow. Looking at the fabrics the next day they appeared to look so calm totally unlike the design on the wall. Maybe it is the Covid experience of the last 10 months but now I seem to want calm from my colours. I looked at the table and my eyes just glided over the strips of colours – back to the quilt wall again – to organise the diamonds into stripes.

Now my eyes tend to glide up and down rather than dotting about to see other diamond combinations. But that is as far as I can take this designing phase: there comes a time to every project when you just have to commit, and we are now into the first week of the new year. So I am simply sewing one single coloured strip at a time, and when I have finished them I can start to play with the design again – it should see me through until I get vaccinated.