Pansy Faces

Winter flowering pansies are in the shops now, but I have a set of embroidered pansies in flower all year round…the Pansy Faces from the Flora Embroideries.

So just how did the rust and gold pansy on the left turn into the tiger below? I will try and show you.

Visiting the many different flower shows whilst researching The Flora, I was struck by the way the pansies were displayed – they are arranged separately in trays, not as the usual bunch of flowers in a vase, but just the heads placed poking out of a board on a tray – why? I like to think that it really makes you look carefully at the difference in each wonderful flower head; but I suspect it may be because one of the criteria for a show pansy is to try to grow the petals to form a perfect circle. Then “heads” and “pansy faces” came together in my mind, so I started to photograph the trays at all the shows I visited, as you can see below the standard of presentation is often patchy and there seems to be no attempt at colour co-ordination!

I fantasised that if I could breed flowers I would develop the pansies further by changing the shapes of the petals and regulating their colours. I tried also to keep the changes to a minimum to show the stages  of metamorphoses from flower to face. You can see that in the drawing below I started with a butterfly. which was fairly easy, and then moved onto the owl..he was a bit trickier and the problem of making this metamorphosis became apparent – whilst drawing and inventing from the research everything was clear,  but whilst stitching the flowers/birds/ animals my mind became confused between whether I was stitching an ear or a petal…..and this got more confusing as I developed the series.

I then developed the cat or tiger;  the stripes were fascinating to depict as they could follow through the growth patterns of the petals  and it was a delight to invent and stitch, as was the monkey – the dog was not made – if I could have drawn a wire fox terrier as  pansy I would have included him that but I could only manage a shitzu – I have  always thought of them as pansy faced dogs.

I then decided that this was all too innocent, while I was happily playing and exercising total control over  inert materials – the plant breeders and agricultural scientists were not. What would happen if it all went horribly horribly wrong? The ultimate goal for mankind seems to be to become like god and make make everything for our own benefits and in our own likeness. This was  hard decision to make  and I knew from the start that I would have to eventually develop a human face; I at first thought it could be a nice face – another beauty like Flora and the Edible Woman.

But really all along I had known it had to be a self portrait to make sense of my idea. I first appear drawn in grey pencil amongst my lovely colourful animals and fairy faces – and yes I do recognise that it is a sign of vanity – but I have never ever liked to see pictures of  myself. Friends have learned not to show me any photographs they have taken of me – I rip the heads off them – I want only to be known by the images in my work – so a control freak as well…I know I know.

But back to the plot – below is a page of  drawings for the final pansy face, a horrid version of me …

The Aubergine Love Child

I am imagining that the aubergine I bought yesterday in a wrapped pack of two, from Sainsbury’s supermarket in Whorle, is the love child of my Giant Vegetable Man and Edible Woman ( see my previous post and Flower Show). I think he has his mother’s nose and his father’s chin; the two of them have been shut away for several months in a studio cupboard so who knows what goes on in the dark seclusion of storage?

Viewed face – on he has a sort of boyish charm and his hair is really rather cute – it looks as if he may make a good rugby player when he grows up, he already has the broken nose.

Several people have mentioned his resemblance to an Easter Island figure so here is my favourite photograph of him –  on top of the garden wall gazing out over the estuary towards the Welsh hills – I haven’t the heart to cook and eat him just yet. Ratatouille will have to wait.

The Edible Woman

This is Harvest Festival time and in celebration of the season I am featuring the Edible Woman, alternatively The Prize.  She is a member of  the Flora Embroideries and was first imagined as a mate to The Giant Vegetable Man in the Flower Show blog. He had to have a mate made for him, even though he is pug-ugly, it would be sad to let all that male vitality and virility go to waste.

The first idea I had for her was as an earth goddess, all burgeoning breasts and stomach, lascivious and wanton…a good match for him. I made several drawings but couldn’t bring myself to actually embroider them; she was not to be a figure of ribald humour like him and I did not want her to be sniggered at in the giant vegetable show .

The  breeders and exhibitors of flowers and fruit for prizes, prefer perfection of form to any other consideration. So she had to have some sort of beauty and so I thought she  could possibly become an old man’s darling, kept for her beauty and breeding potential – a trophy wife. But as such she is vulnerable as is an edible woman.

I thought of the lovely dishes of fruit displayed at the local flower shows often arranged on paper lace doilies and also the bowls of water containing heads of flowers arranged in patterns so delicately displayed.

I then remembered that my mother used to win baskets of fruit at the local whist drives when I was a child. She would invariably come home with either a bottle of sweet sherry or more often a wonderful exotic basket of fruit. Well the basket was exotic, a large straw affair – what I now call a “lady basket” – which had to be given back the next week; it was always tied with a ribbon on the handle and the various fruits culled from village gardens were made valuable by the beautiful presentation –  a proper prize.

My lady was beginning to take shape in my mind, but how to make her face from edible things?I bought some exotic fruit and tried to arrange them into a face – this was not easy, the first attempt was really dreadful, like a fat unhappy drunk pumpkin woman, the only things that worked were the 5 okra as ladies fingers and the pomegranate and persimmon looked hopeful as breasts…….

But I decided to sort it out by drawing..I would work with what I could and let the rest take shape around this, while stitching samples I had plenty of time to think.

I don’t remember when I decided to make the fingers from asparagus, I know why though, they look more like painted pink fingernails. The painted silk is shown below above another edible personification, but who would want to marry her?

So here she is – my Prize – the Edible Woman in all her glory; displayed for your delectation in a ruched fabric marquee, usually reserved for weddings but often used for the classier northern England flower shows. You could eat all of her, from her apple cheeks to her cherry lips, dip her asparagus fingers into melted butter and nibble you way through the sweet salad flowers of her hair; scrunch your teeth through her pear nose while contemplating her dark nipples before you peel your way into her luscious ripe breasts……

Now here’s a challenge – would any of the cooks out there like to concoct a recipe from her, or for her,  maybe a menu would be easier….the asaparagus doesn’t lend itself to inclusion in fruit salads – but then what do I know? I don’t cook puddings I only ever embroider them.

mending more hearts

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You know when you get an idea and a light goes on in your head and you think – why did it take me so long to see this? Well this has just happened to me – last weekend I was looking at the stitched ceramic dishes I had made for the Museum Mending project and thought – why don’t I just stitch these images onto cloth? The mottoes, the hearts, the hands….all these relate to my personal project Make It Through the Night so why don’t I include these into this? DUH!

I have done all the research, found the mending mottoes and sorted out the drawings of the hands, but what will I stitch them onto? Well when you are broken- hearted what do need to mop up the tears – a handkerchief – which is a ready- made square of cotton or linen – perfect.  And when I looked through my white fabric stash I found a packet of 4  table napkins left over from another project – hem stitched in linen – perfect. I always take these pieces of luck as a sign that I am on the right track.

Counterpane/Counterpain

I thought I should  try to match the mends with the mottoes and to use the broken and mended heart as a link to the Counterpane/Counterpain embroidery which features in the Make It Through the Night project in Work in Progress section of the blog. I decided to keep the same stitching techniques and colour.

I started with a cut and darned heart, which would need considerable strengthening at the edge of the handkerchief, so the motto had to be ” that which does not kill you makes you stronger” a proverb that I think has a stoical attitude. Having drawn out my design and checked the correct darning system in an old sewing manual, and taking courage into both hands, I cut from the edge of the handkerchief straight into the heart, tacked a run and fell seam and set to work sewing it.

sewing manual and darning sampler which provide both the information and inspiration

I chose to sew it in red thread as in the little household sewing sampler that I had bought years ago from an Oxfam shop.  It is probably from middle of the 20th century and made as part of an infant school sewing class. The choice of red for stitching is a swine as every single stitch glows out whether rightly or wrongly placed, I started to dislike the original needlework teacher – why impose this on to  your pupils?  – well discipline of course….and suddenly my little basic sewing sampler looked like the work of a consumate needlewoman – poor girl –  unlike me she didn’t choose to do it.

finished handkerchief pinned to studio wall

You can see by the finished piece above just how personal this embroidery got for me I have hand written “me”  instead of ” you”.   This was quite a difficult piece of darning even though I have worked this technique several times before;  the plain hem stitching on the run and fell seam above the heart was really tricky to get even on both sides. I would choose something easier for the next one………

I found the motto, ” Red is the ultimate cure for sadness”  and decided to use a patching system using a scrap of scarlet linen, I withdrew the threads and darned them onto the heart. Easy Peasy it wasn’t!


withdrawing the threads from the red patch.

The finished red darning piece can be seen pinned to my studio wall, to the side of it can be seen a sample of Darning as Jewellry by Dail Behennah.

red darned patch handkerchief

Dail Behennah’s tiny samples in copper and gold wire for Darning as Jewellry, was also made for the museum mending project

The next piece was also patched, much simpler this time a basic inset patch of fine linen.

mending manual and school sampler

cross stitch embroidered patch ready for insertion

On the left can be seen the set of instructions for basic darning with the sample of the same system next to it. There are many old sewing manuals with all this information in them, up until about the 1960’s when they begin to just talk about machine stitching for  darning

For this handkerchief I decided to cross stitch the motto onto the patch beforehand, and on the left can be seen the embroidered patch prior to cutting and inserting it onto the heart on the handkerchief, below.

The image of the small pink and red  broken and mended heart pinned above the handkerchief below is a photograph of a set of 50 enamel badges I made for an ETC project several years ago. Maybe I should make some more?

patched cross stitch motto

By the time I got around to stitching the 4th mending motto I thought Mend It or End It was a suitable finish to this series, the  finished piece is the seen at the head of this blog, simple and effective the simple cross – way darn also makes a good warning symbol to make your mind up – the type of real advice my friends actually do give me when I am dithering about anything…I think these mending mottoes will lead to other handkerchiefs, I particularly like the one about the colour Red, I wonder what other mottoes there are about colours?

first 3 mending mottoes handkerchiefs on my studio wall.